"Arie con istromenti: In questo estremo addio" by Maria Teresa Agnesi Pinottini, Thaleia Ensemble, Laura Martinez Boj, Ángela Lobato del Castillo had its release date on February 17, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Thaleia Ensemble, Laura Martinez Boj, Ángela Lobato del Castillo's "Maria Antonia e Teresa, o il trionfo delle donne" album is number 10 out of 10. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Arie con istromenti: In questo estremo addio is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Arie con istromenti: In questo estremo addio by Maria Teresa Agnesi Pinottini, Thaleia Ensemble, Laura Martinez Boj, Ángela Lobato del Castillo to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ground, Z. D221 | Henry Purcell, Richard Egarr | B♭ Minor | 2 | 3A | 120 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Jos Konnings, Ku Ebbinge, Michel Garcin-Marrou, Michel Henry, Monica Huggett, Paul Dombrecht | E Major | 3 | 12B | 84 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 3 in D Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, David Plantier, Hendrike ter Brugge | D♭ Minor | 3 | 12A | 76 BPM | ||
Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: II. Allegro ma non presto | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Trio Sonata in D Major, BuxWV 260: V. Largo - VI. Vivace | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Suite No. 12 in C Major, FbWV 612: I. Allemande: Lamento sopra la dolorosa oerdita della Real Msta di Ferdinando IV, Re de Romani | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 1 | 2B | 143 BPM | ||
Brandenburg Concerto No. 3 In G Major, BWV 1048: II. Cadenza | Cologne Chamber Orchestra, Johann Sebastian Bach | A Minor | 2 | 8A | 89 BPM |