"Romance for Strings, Piano and Harmonica" by Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1999. Since Romance for Strings, Piano and Harmonica is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Orchestral Works by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner, New Queen's Hall Orchestra, Barry Wordsworth, London Philharmonic Orchestra, Sir Adrian Boult. The song's track number on the album is #13 out of 22 tracks. Romance for Strings, Piano and Harmonica is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Romance for Strings, Piano and Harmonica by Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Romance for Strings, Piano and Harmonica being at 62 テンポ, the half-time would be 31 テンポ with a double-time of 124 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Concerto For Lute, 2 Violins And Continuo In D, RV 93: 2. Largo | Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 109 BPM | ||
Clarinet Concerto in C Minor, Op. 31: II. Adagio, ma senza rigore | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 0 | 2B | 52 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, Concertgebouworkest, Bernard Haitink | G Major | 1 | 9B | 172 BPM | ||
Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace | Wolfgang Amadeus Mozart, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 75 BPM | ||
Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
Vaughan Williams: Job, Scene 1: Sarabande of the Sons of God | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | D Major | 1 | 10B | 110 BPM |