Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown's 'Concerto For Lute, 2 Violins And Continuo In D, RV 93: 2. Largo' came out on January 1, 1985. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: Guitar Concertos by Antonio Vivaldi, Los Romeros, Academy of St. Martin in the Fields, Iona Brown. The song's track number on the album is #14 out of 15 tracks. In terms of popularity, Concerto For Lute, 2 Violins And Continuo In D, RV 93: 2. Largo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Concerto For Lute, 2 Violins And Continuo In D, RV 93: 2. Largo by Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Concerto For Lute, 2 Violins And Continuo In D, RV 93: 2. Largo being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 5 in A Major for 2 Violins, RV 519: 1. Allegro | Antonio Vivaldi, Catherine Mackintosh, Elizabeth Wilcock, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 2 | 4B | 120 BPM | ||
XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis | A♭ Minor | 1 | 1A | 173 BPM | ||
Concerto grosso in F, Op.6, No.9: 3. Larghetto | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 173 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM |