John Cage, Boris Berman's 'Sonatas and Interludes for Prepared Piano: Sonata No. 2' came out on June 29, 1999. The duration of Sonatas and Interludes for Prepared Piano: Sonata No. 2 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Sonatas and Interludes for Prepared Piano: Sonata No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 19 in Cage: Sonatas and Interludes for Prepared Piano by John Cage, Boris Berman. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sonatas and Interludes for Prepared Piano: Sonata No. 2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonatas and Interludes for Prepared Piano: Sonata No. 2 by John Cage, Boris Berman is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in G Minor, Op. 57: III. Scherzo | Dmitri Shostakovich, Boris Berman, Vermeer Quartet | D♭ Minor | 3 | 12A | 129 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Phrygian Gates, Pt. 2 (A System of Weights and Measures) | John Adams | D Major | 0 | 10B | 55 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Cerulean: II. Lullaby | David Biedenbender, Donald Sinta Quartet | B♭ Major | 0 | 6B | 75 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Four Studies: II. Fast Canons | Nico Muhly, Angela Chun, Jennifer Chun | A Minor | 2 | 8A | 164 BPM | ||
Interlude | Balanescu Quartet | B Major | 2 | 1B | 135 BPM | ||
Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 68 BPM |