"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: II.Iesum tradidit impius - Petrus autem - Adduxerunt" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. The duration of Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: II.Iesum tradidit impius - Petrus autem - Adduxerunt is about 3 minutes long, at 3:15. Based on our data, "Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: II.Iesum tradidit impius - Petrus autem - Adduxerunt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #11 out of 18 tracks. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: II.Iesum tradidit impius - Petrus autem - Adduxerunt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: II.Iesum tradidit impius - Petrus autem - Adduxerunt by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: II.Iesum tradidit impius - Petrus autem - Adduxerunt being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Cantica Beatae Virginis - Hymn Ave Maria, For 4 Voices (Attributed; 1575-1600) | Jordi Savall, Tomás Luis de Victoria | D Minor | 1 | 7A | 167 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VI Kyrie | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 128 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
ll est bel et bon, commere, mon mary: Il est bel et bon | Pierre Passereau, Scholars of London | C Minor | 3 | 5A | 135 BPM | ||
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM |