"Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)" by Johannes Brahms, Stephen Cleobury, Evgenia Rubinova, José Gallardo, Susan Gritton, Choir of King's College, Cambridge was released on January 8, 2022. With this song being about 5 minutes long, at 5:09, "Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)" by Johannes Brahms, Stephen Cleobury, Evgenia Rubinova, José Gallardo, Susan Gritton, Choir of King's College, Cambridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 20 out of 28 in Ave Maria: Sacred Arias and Choruses by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) by Johannes Brahms, Stephen Cleobury, Evgenia Rubinova, José Gallardo, Susan Gritton, Choir of King's College, Cambridge is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Ilya Kaler, Maria Kliegel, RTÉ National Symphony Orchestra, Andrew Constantine | D Major | 0 | 10B | 92 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |