"Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": II. Largo" by Aurèle Nicolet was released on March 10, 1992. Since Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": II. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aurèle Nicolet's "Luigi Boccherini & Joseph Martin Kraus: Flute Quintets" album is number 8 out of 13. Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": II. Largo by Aurèle Nicolet to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicilienne et burlesque, Op. 23: I. Sicilienne | Alfredo Casella, Aurèle Nicolet, Maria Bergmann | B♭ Minor | 1 | 3A | 74 BPM | ||
Sonata For Flute No.3 In A, BWV 1032: 2. Largo e dolce | Johann Sebastian Bach, Aurèle Nicolet, Karl Richter | F♯ Major | 1 | 2B | 82 BPM | ||
Andante et Rondo, Op. 25 (Live) | Karl Doppler, Franz Doppler, Stefan Soltesz, Michel Debost, Aurèle Nicolet | A Minor | 1 | 8A | 126 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro | George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Sonata for Flute, Viola and Harp, L. 137: 2. Interlude | Claude Debussy, Aurèle Nicolet, Nobuko Imai, Naoko Yoshino | F♯ Major | 1 | 2B | 100 BPM | ||
Musical Offering, BWV 1079: Fuga canonica in Epidiapente | Johann Sebastian Bach, Siegfried Meinecke, Otto Büchner, Kurt Guntner, Hedwig Bilgram, Karl Richter, Aurèle Nicolet, Fritz Kiskalt | B♭ Major | 2 | 6B | 85 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |