"Requiem: Lacrimosa" by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg was released on March 3, 2023. With this song being about 5 minutes long, at 5:14, "Requiem: Lacrimosa" by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg, Andrew Thompson's "Matthew Coleridge: Requiem" album is number 7 out of 14. Requiem: Lacrimosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Lacrimosa by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM | ||
Říkadla: IV. The mole creeps | Leoš Janáček, Cappella Amsterdam, Daniel Reuss, Radio Blazers Ensemble | A♭ Major | 1 | 4B | 137 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
All-night Vigil, Op. 44: Blazhen muzh | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker, Tom Butler | C Minor | 1 | 5A | 133 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
The Letter | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | F Major | 1 | 7B | 91 BPM | ||
Gaudete in Domino | Giaches de Wert, Stile Antico | G Minor | 3 | 6A | 116 BPM | ||
4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) | Franz Schubert, Josephine Knight, The Gesualdo Six | A Major | 0 | 11B | 76 BPM |