"Le dernier jour d'un condamné / Act 2: Il est dix heures… Encore six heures..." by David Alagna, Roberto Alagna, London Orchestra, Yvan Cassar was released on November 17, 2014. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roberto Alagna, London Orchestra, Yvan Cassar's "Ma vie est un opéra" album is number 14 out of 16. Le dernier jour d'un condamné / Act 2: Il est dix heures… Encore six heures... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Act 2: Il est dix heures… Encore six heures... by David Alagna, Roberto Alagna, London Orchestra, Yvan Cassar to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Angelica E Tancredi | Nino Rota | D♭ Major | 2 | 3B | 81 BPM | ||
Amante | Daniel Emmet | C Minor | 3 | 5A | 169 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
La llorona | Traditional, Rolando Villazón, Xavier De Maistre | B Minor | 1 | 10A | 104 BPM | ||
Godard: Jocelyn, Op. 100, Act 2: "Cachés dans cet asile" (Jocelyn) | Benjamin Godard, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Moldau - Excerpt | Orchestre national d'île-de-France | E Minor | 2 | 9A | 62 BPM | ||
L'heure exquise | Stephanie Puchalla | B Major | 2 | 1B | 151 BPM | ||
Le dernier jour d'un condamné / Acte I: Cela n'était pas dans le programme | David Alagna, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson | F♯ Major | 1 | 2B | 104 BPM |