Giuseppe Verdi, James Levine, Metropolitan Opera Orchestra made "Anvil Chorus from Il trovatore - Vocal" available on 1949. The duration of Anvil Chorus from Il trovatore - Vocal is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Anvil Chorus from Il trovatore - Vocal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Greatest Hits: Opera" album is number 16 out of 22. Based on our statistics, Anvil Chorus from Il trovatore - Vocal's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Anvil Chorus from Il trovatore - Vocal by Giuseppe Verdi, James Levine, Metropolitan Opera Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1. Introitus: Requiem: Requiem in D Minor, K 626 | Orchestra of the Vienna Concert House, Paul Redinowski, The Vienna Singer Boys | G Minor | 1 | 6A | 81 BPM | ||
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
Intermezzo | Pietro Mascagni, James Levine | F Major | 2 | 7B | 84 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Also sprach Zarathustra | Vienna Promenade Orchestra | C Major | 2 | 8B | 83 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Serenade für Streicher Nr. 13, G-Dur, KV 525: I. Allegro | Alexander Pitamic, Camerata Labacensis | G Major | 1 | 9B | 122 BPM | ||
La Traviata / Act 1: "Che è ciò?" | Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Opera Chorus, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 84 BPM | ||
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM |