"Arabic Lessons: No. 4. Komposita" by Amos Elkana, Ulrike Sonntag, Lilach Refaelovitch, Maureen Nehedar, Yossi Arnheim, Itai Morag, Tal Varon, Hillel Zori, Hagar Ben-Ari, Oron Schwartz had its release date on November 6, 2012. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 22 in Amos Elkana: Casino Umbro by Amos Elkana, Various Artists, Jerzy Swoboda. Arabic Lessons: No. 4. Komposita is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arabic Lessons: No. 4. Komposita by Amos Elkana, Ulrike Sonntag, Lilach Refaelovitch, Maureen Nehedar, Yossi Arnheim, Itai Morag, Tal Varon, Hillel Zori, Hagar Ben-Ari, Oron Schwartz is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite: III. Fire Dance | David Watkins, Susann McDonald | A Minor | 1 | 8A | 92 BPM | ||
INTRO | arshiabeats | B Major | 2 | 1B | 73 BPM | ||
Me And My Big Mouth | Michael Giacchino | F Major | 1 | 7B | 70 BPM | ||
The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: XI. Glorification of the Chosen One | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
Suite for Solo Cello: III. Intermezzo e danza finale | Gaspar Cassadó, Santiago Canon Valencia | G Major | 1 | 9B | 114 BPM | ||
Mythes, Op. 30: 1. La fontaine d'Aréthuse | Karol Szymanowski, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 102 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': I. Adagio. Con moto | Leoš Janáček, Jerusalem Quartet | B Major | 1 | 1B | 92 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Andante tranquillo | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
For Bunita Marcus (1985): page 7 | Morton Feldman, Marc-André Hamelin | C Minor | 0 | 5A | 110 BPM |