"Petite Suite: III. Fire Dance" by David Watkins, Susann McDonald was released on January 1, 1994. With Petite Suite: III. Fire Dance being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Susann McDonald's "Harp Recital: Mcdonald, Susann - Salzedo, C. / Albeniz, M. / Albeniz, I. / Watkins, D. / Ortiz, A. / Francisque, A. (The World of the Harp)" album is number 4 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Petite Suite: III. Fire Dance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Petite Suite: III. Fire Dance by David Watkins, Susann McDonald to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata: Andantino | Sophia Dussek, Judy Loman | C Minor | 1 | 5A | 96 BPM | ||
Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): II. Adagio | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 1 | 11B | 72 BPM | ||
Four Etudes, Op. 7 - Etude No. 1 (Igor Stravinsky) | David Watkins | D♭ Major | 2 | 3B | 83 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): II. Otoño Poteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Morceau de concours | Gabriel Fauré, Ashildur Haraldsdottir, Love Derwinger | F Major | 0 | 7B | 171 BPM | ||
L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | ||
Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | A♭ Minor | 0 | 1A | 77 BPM | ||
Die Moldau | Bedřich Smetana, Alexander Boldachev | D Major | 0 | 10B | 77 BPM |