"Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto - Arr. for Harp, Violin and Cello by Anja Linder" by Anja Linder, Julie Sévilla-Fraysse, Laurent Korcia was released on February 9, 2024. Since Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto - Arr. for Harp, Violin and Cello by Anja Linder is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Schubert". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto - Arr. for Harp, Violin and Cello by Anja Linder is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto - Arr. for Harp, Violin and Cello by Anja Linder by Anja Linder, Julie Sévilla-Fraysse, Laurent Korcia having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The First Time Ever I Saw Your Face | Ewan MacColl, James Oesi, Djuwa Mroivili | C Major | 0 | 8B | 126 BPM | ||
Sonata for Violin and Piano No. 1 in A, Op. 13: Allegro vivo - Remastered | Gabriel Fauré, Laurent Korcia, Jean-Marc Luisada | A Major | 2 | 11B | 110 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen (Arr. for Cello & Piano) | Franz Schubert, Duo Arnicans | G Major | 0 | 9B | 67 BPM | ||
Cello Concerto in D Minor, RV 405: I. [Allegro] | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
At the Purchaser’s Option (Arr. for String Quartet by Jacob Garchik) | Rhiannon Giddens, Ragazze Quartet | B♭ Major | 1 | 6B | 143 BPM | ||
Argentum | Dani Howard, Royal Liverpool Philharmonic Orchestra, Michael Seal | A Major | 2 | 11B | 141 BPM | ||
Barcarolle (From Les contes d’Hoffmann) | Jacques Offenbach, Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | F♯ Minor | 1 | 11A | 184 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM | ||
Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan | C Minor | 0 | 5A | 72 BPM | ||
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM |