"" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered" by Maria Callas was released on February 15, 2013. The duration of " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maria Callas's "Grandiose Stimmen: Maria Callas" album is number 6 out of 8. On top of that, Germany appears to be the country where this track was created. " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered by Maria Callas to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 1 Scene 5: "Ah, quegli occhi…" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Verdi: Aida, Act 1: "Ritorna vincitor" (Aida) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 2 | 4B | 91 BPM | ||
Cantami | Anna Netrebko, Yusif Eyvazov, Session Orchestra London, Ben Foster | A♭ Major | 6 | 4B | 85 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Carmen (1997 - Remaster), Act III: Quelques lignes plus bas | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 88 BPM | ||
Norma: Act I: Introduction Instrumental | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM |