Ottorino Respighi, Peter Nagy, Tanja Becker-Bender's '5 Pieces for Violin and Piano, P. 62: II. Aubade. Vivace' came out on August 31, 2012. The duration of 5 Pieces for Violin and Piano, P. 62: II. Aubade. Vivace is about 3 minutes long, at 3:20. Based on our data, "5 Pieces for Violin and Piano, P. 62: II. Aubade. Vivace" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Respighi: Violin Sonatas & Other Pieces". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. 5 Pieces for Violin and Piano, P. 62: II. Aubade. Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pieces for Violin and Piano, P. 62: II. Aubade. Vivace by Ottorino Respighi, Peter Nagy, Tanja Becker-Bender having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Ancient Airs And Dances, Suite No. 1, P. 109: III. Villanella | Ottorino Respighi, Orpheus Chamber Orchestra | B Minor | 0 | 10A | 76 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM |