"Concerto for Violin & Orchestra, Op. 14: 2. Andante" by Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn was released on July 4, 2020. Since Concerto for Violin & Orchestra, Op. 14: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 60 out of 68 in Barber: An Introduction by Samuel Barber. Concerto for Violin & Orchestra, Op. 14: 2. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Violin & Orchestra, Op. 14: 2. Andante by Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | ||
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Vladimir Ashkenazy, London Symphony Orchestra, David Zinman | D Minor | 2 | 7A | 96 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich Und Gemessen, Ohne Zu Schleppen | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | G Minor | 0 | 6A | 57 BPM | ||
Violin Concerto: Fly Forward | Jennifer Higdon, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Minor | 3 | 8A | 139 BPM | ||
Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 128 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 139 BPM |