"Beneath the Southern Cross - 1992 Remastered" by Robert Russell Bennett was released on August 11, 1992. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victory At Sea by Robert Russell Bennett. The song's track number on the album is #7 out of 13 tracks. In terms of popularity, Beneath the Southern Cross - 1992 Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Beneath the Southern Cross - 1992 Remastered by Robert Russell Bennett has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Beneath the Southern Cross - 1992 Remastered being at 90 テンポ, the half-time would be 45 テンポ with a double-time of 180 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Stan' Up and Fight - Remastered | Oscar Hammerstein II, Robert Russell Bennett | F Minor | 3 | 4A | 113 BPM | ||
Downey Overture | Oscar Navarro, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 3 | 9B | 130 BPM | ||
He’s Linus’ Boy | Alfred Newman, MGM Studio Orchestra, The Ken Darby Singers | E Minor | 1 | 9A | 95 BPM | ||
Let 'Em Eat Cake: Overture | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 122 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Annie Laurie - Remastered | Lady John Douglas Scott, Marian Anderson, Robert Russell Bennett, The Chamber Orchestra | C Major | 2 | 8B | 126 BPM | ||
Unter Donner und Blitz Polka, Op. 324 | Johann Strauss II, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 4 | 9B | 78 BPM | ||
Climb A Higher Hill | Alfred Newman, MGM Studio Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): V. Dance of the Tumblers | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM |