"Madama Butterfly" by Renata Tebaldi was released on June 5, 2009. With this song being about 5 minutes long, at 4:52, "Madama Butterfly" by Renata Tebaldi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vissi D'arte by Renata Tebaldi. The song's track number on the album is #6 out of 15 tracks. Madama Butterfly is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Madama Butterfly by Renata Tebaldi has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Madama Butterfly being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie sorridente" | Francesco Cilea, Mario del Monaco, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 0 | 4B | 69 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Adriana Lecouvreur / Act 4: "Poveri fiori, gemme de'prati" | Francesco Cilea, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | D Minor | 1 | 7A | 92 BPM | ||
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
Cilea- Adriana Lecouvreur - Ecco, Respiro Appena...Io Son L'Umile Ancella - Original | Renata Tebaldi | A♭ Major | 2 | 4B | 93 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM |