"Madama Butterfly / Act 2: "Un bel dì vedremo"" by Giacomo Puccini, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1958. With this song being about 5 minutes long, at 4:47, "Madama Butterfly / Act 2: "Un bel dì vedremo"" by Giacomo Puccini, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 42 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly / Act 2: "Un bel dì vedremo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 2: "Un bel dì vedremo" by Giacomo Puccini, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème: Act I: O soave fanciulla | Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Sir Georg Solti, London Philharmonic Orchestra | G Major | 1 | 9B | 83 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Joseph Calleja, Aleksandra Kurzak, Orchestre de la Suisse Romande, Marco Armiliato | C Major | 2 | 8B | 123 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco, respiro appena...Io son' l'umile ancella" | Francesco Cilea, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E Major | 1 | 12B | 82 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM |