On June 1, 1995, the song "Salomo Hv 67 Einzug Der Königin Von Saba - Sinfonia" was released by English Chamber Orchestra, Sir Charles Mackerras. The duration of Salomo Hv 67 Einzug Der Königin Von Saba - Sinfonia is about 3 minutes long, at 3:06. Based on our data, "Salomo Hv 67 Einzug Der Königin Von Saba - Sinfonia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in English Chamber Orchestra's "G. F. Händel: Orchestra Works" album is number 8 out of 32. Based on our statistics, Salomo Hv 67 Einzug Der Königin Von Saba - Sinfonia's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Salomo Hv 67 Einzug Der Königin Von Saba - Sinfonia by English Chamber Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Concerto Saint Marc: II. Allegro | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 3 | 6B | 102 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 142 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM | ||
Xerxes HWV40: Largo: Ombra Mai Fú | English Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 62 BPM | ||
Ich steh mit einem Fuß im Grabe, BWV 156: Sinfonia | Johann Sebastian Bach, English Chamber Orchestra, Raymond Leppard | F Major | 1 | 7B | 131 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Cello Concerto: Becoming slower - | Frederick Delius, Raphael Wallfisch, Sir Charles Mackerras, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 0 | 11A | 80 BPM |