Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma's 'La Bohème, Act I: O soave fanciulla (Rodolfo/Marcello/Mimì)' came out on 1964. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Puccini - La bohème". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. La Bohème, Act I: O soave fanciulla (Rodolfo/Marcello/Mimì) is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With La Bohème, Act I: O soave fanciulla (Rodolfo/Marcello/Mimì) by Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
La Wally, Act I: Ebben?... Ne andrò lontana (Wally) | Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi | E Minor | 1 | 9A | 81 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
Mascagni: Cavalleria rusticana: "Regina coeli" | Pietro Mascagni, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | G Major | 3 | 9B | 52 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) | Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Minor | 1 | 7A | 58 BPM |