Guillaume Costeley, Ensemble Clément Janequin, Dominique Visse made "Elle craint l'esperon - Celle qu'ainsi fiere voyez (response)" available on September 15, 1985. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 24 in Fricassée parisienne by Ensemble Clément Janequin, Dominique Visse. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Elle craint l'esperon - Celle qu'ainsi fiere voyez (response) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Elle craint l'esperon - Celle qu'ainsi fiere voyez (response) by Guillaume Costeley, Ensemble Clément Janequin, Dominique Visse is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Triomphe de l'Harmonie: Nous jouissons de nos asiles… (Chœur de nymphes) | François-Lupien Grenet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 134 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
Esprit doux de bonne nature | Guillaume Costeley, Freddy Eichelberger | A Major | 0 | 11B | 95 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
Corrente detta L'Auellina | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 2 | 8B | 79 BPM | ||
Missa "Hodie Christus natus est": 2. Gloria | Giovanni Pierluigi da Palestrina, Gabrieli, Paul McCreesh | G Major | 2 | 9B | 74 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM |