"Ἡ ζωή ἐν τάφω (Good Friday)" by The Church of our Saviour Choirs, Petros Hatjopoulos was released on April 28, 2019. The duration of Ἡ ζωή ἐν τάφω (Good Friday) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Ἡ ζωή ἐν τάφω (Good Friday)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 14 in A Greek Orthodox Easter Celebration by The Church of our Saviour Choirs, Petros Hatjopoulos. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Ἡ ζωή ἐν τάφω (Good Friday) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ἡ ζωή ἐν τάφω (Good Friday) by The Church of our Saviour Choirs, Petros Hatjopoulos is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Divine, All Loves Excelling | Beckenhorst Singers, Craig Courtney, Dan Forrest | C Major | 3 | 8B | 108 BPM | ||
Lord, Let Me Love You More and More | Christopher Walker | C Major | 1 | 8B | 137 BPM | ||
Introit: Deus Israel | Bonaventure Choir | F Major | 0 | 7B | 81 BPM | ||
Johannes-Passion, BWV 245.1: 40. Choral: Ach Herr, lass dein lieb Engelein | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Ad missam In Die: Sequence. Victimae pascali | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | D Major | 0 | 10B | 89 BPM | ||
Slava V Vysnikh Bogu | Saint Petersbourg Vocal Ensemble, Bernard Houdy | F Major | 2 | 7B | 100 BPM | ||
Eyen Erong Abasi - Human + Synthetic Choral | Obioha Ogbonna | F Major | 1 | 7B | 87 BPM | ||
Nirumi Ati Iji Aye | Bode Afolabi | B♭ Major | 2 | 6B | 88 BPM | ||
Seguir-Te-Ei | Sara Silva, José Gomes, Carla Marques Coelho, Alexandra Alves, Fábio Francisco, Vítor Duro, Eugénia Francisco, Fernando Fernandes, Liliana Magalhães | D Major | 1 | 10B | 90 BPM | ||
Tercer Domingo Depués de Pascua: Ofertorio: Lauda (4º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | A Major | 1 | 11B | 81 BPM |