"Anatomy Theater: Where Is Evil?" by David Lang, Mark Dion, Timur, Robert Osborne, Marc Kudisch, Peabody Southwell, International Contemporary Ensemble, Christopher Rountree had its release date on October 25, 2019. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 15 in David Lang: Anatomy Theater by David Lang, Peabody Southwell, Marc Kudisch, Robert Osborne, Timur, Christopher Rountree. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Anatomy Theater: Where Is Evil?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Anatomy Theater: Where Is Evil? by David Lang, Mark Dion, Timur, Robert Osborne, Marc Kudisch, Peabody Southwell, International Contemporary Ensemble, Christopher Rountree is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tehillim: I. Psalm 19:2-5, "Hashamyim mehsapehrim kavohd Kail" | Steve Reich, Alarm Will Sound, Ossia, Alan Pierson | D Minor | 3 | 7A | 138 BPM | ||
The Difficulty of Crossing a Field: Scene [foxglove]: The seventh telling (Mrs. Williamson, Williamson Girl, Boy Sam, Chorus, Virginia) | David Lang, Beverly O'Regan Thiele, Cree Carrico, Isaiah Robinson, Laquita Mitchell, Mari-Yan Pringle, Nicole Mitchell, Martin Bakari, Jorell Williams, Brandon Coleman, The Harlem String Quartet, Douglas Kinney Frost | E Minor | 2 | 9A | 165 BPM | ||
The Writings: No. 2, If I Am Silent (After the Book of Esther) | David Lang, Cappella Amsterdam, Daniel Reuss | C Minor | 2 | 5A | 68 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
Nos esprits libres et contents | Anonymous, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 107 BPM | ||
David Lang: World To Come I | David Lang, Maya Beiser | F♯ Minor | 0 | 11A | 76 BPM | ||
Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM | ||
Hent I | Yann Tiersen | D Major | 0 | 10B | 84 BPM | ||
Sonatina for Piano 4 Hands: II. Andante | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | F Major | 0 | 7B | 79 BPM |