Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Harmonia artificioso - ariosa: Partia I in D Minor, Allamande" available on 1994. With Harmonia artificioso - ariosa: Partia I in D Minor, Allamande being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Harmonia artificioso - ariosa: Partia I in D Minor, Allamande is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harmonia artificioso - ariosa: Partia I in D Minor, Allamande by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Ouverture burlesque in B-Flat Major, TWV 55:B8: Ouverture burlesque in B-Flat Major, TWV 55:B8: II. Scaramouches. Vite | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | A Major | 3 | 11B | 110 BPM | ||
Befiehl dem Engel, dass er komm' in A Minor, BuxWV 10 | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | A Minor | 1 | 8A | 83 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM |