Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse's 'Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera' came out on 1995. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 28 in Carmina Burana by Carl Orff. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sympnony No.9 in E minor, Op.95 'From the New World': Finale: Allegro con fuoco | Antonín Dvořák, Prague Symphony Orchestra;Libor Pesek | E Minor | 1 | 9A | 74 BPM | ||
The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Manuel Rosenthal, Orchestre Théâtre National De L'Opéra De Paris | D Minor | 1 | 7A | 82 BPM | ||
The Magic Flute, K. 620: Act II, No.14. Aria: "Der Hölle Rache kocht in meinem Herzen" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 144 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
The Magic Flute, K. 620: Act I, No. 2. Aria: "Der Vogelfänger bin ich ja" | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 140 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Sinfonische Dichtung für großes Orchester, Op. 30: No. 1, Einleitung | Orquesta Sinfonica de Londres, Walter Kempe | F Major | 4 | 7B | 78 BPM | ||
O mio babbino caro from Gianni Schicchi - Vocal | Giacomo Puccini, Giuseppe Patanè, Munich Radio Orchestra | A♭ Major | 2 | 4B | 174 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM |