"The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action" by Pyotr Ilyich Tchaikovsky, Christoph Eschenbach, Wiener Philharmoniker was released on June 3, 2017. Since The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action only contains only one song in the album, we like to consider this song as a single. Based on our statistics, The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action by Pyotr Ilyich Tchaikovsky, Christoph Eschenbach, Wiener Philharmoniker having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Casse-noisette: Danse arabe | Wiener Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 108 BPM | ||
Pictures at an Exhibition: Pictures at an Exhibition: X. The great gate of Kiev | Modest Mussorgsky, Paul Lewis | E♭ Major | 1 | 5B | 139 BPM | ||
Die Tänzerin, Polka française, Op. 227 | Josef Strauss, Christian Thielemann, Wiener Philharmoniker | E♭ Major | 1 | 5B | 81 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 141 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | B Major | 3 | 1B | 79 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM |