Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra's 'Violin Concerto for Violin and Orchestra in D Op. 35: III. Finale (Allegro vivacissimo)' came out on December 3, 1990. Since Violin Concerto for Violin and Orchestra in D Op. 35: III. Finale (Allegro vivacissimo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Tchaikovsky: Violin Concerto etc.Violin Concerto". In this album, this song's track order is #3. The popularity of Violin Concerto for Violin and Orchestra in D Op. 35: III. Finale (Allegro vivacissimo) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto for Violin and Orchestra in D Op. 35: III. Finale (Allegro vivacissimo) by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: III. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck | A Major | 2 | 11B | 96 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | F Major | 2 | 7B | 96 BPM | ||
Piano Trio in A minor, M. 67: 1. Modéré | Maurice Ravel, Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy | C Major | 1 | 8B | 86 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Carmen Suite No.2: La garde montante | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 1 | 7A | 116 BPM | ||
Cello Concerto in B Flat (1998 - Remaster): I. Allegro moderato - Cadenza | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | B♭ Major | 1 | 6B | 99 BPM | ||
Piano Quintet No. 1 in C Minor, Op. 1: I. Allegro | Ernst von Dohnányi, Shmuel Ashkenasi, Nobuko Imai, Trio Nota Bene | F Minor | 2 | 4A | 135 BPM | ||
Brahms: Violin Sonata No. 1 in G Major, Op. 78: II. Adagio | Johannes Brahms, Itzhak Perlman | E♭ Major | 1 | 5B | 81 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace. Allegro animato | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | E♭ Minor | 2 | 2A | 82 BPM |