"Symphony for Strings and Continuo in G Major, Wq 182 No. 1/H. 667: II. Andante" by Carl Philipp Emanuel Bach, Berliner Barock Solisten, Reinhard Goebel was released on November 20, 2015. With Symphony for Strings and Continuo in G Major, Wq 182 No. 1/H. 667: II. Andante being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 12 in C.P.E. Bach: Concertos & Symphonies II by Carl Philipp Emanuel Bach, Berliner Barock Solisten, Reinhard Goebel. Based on our statistics, Symphony for Strings and Continuo in G Major, Wq 182 No. 1/H. 667: II. Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony for Strings and Continuo in G Major, Wq 182 No. 1/H. 667: II. Andante by Carl Philipp Emanuel Bach, Berliner Barock Solisten, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 105 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Overture (Suite) in B-Flat Major, Op. 1, No. 3: IV. Chaconne | Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg | A Major | 1 | 11B | 135 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | A Major | 0 | 11B | 172 BPM |