"Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente" by Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek was released on November 17, 2023. The duration of Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente is about 3 minutes long, at 3:16. Based on our data, "Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 18 in C.P.E. Bach: The Hamburg Symphonies, Wq. 182 by Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente by Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Allegretto in D Major, Wq. 116/20, H. 302 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 0 | 10B | 100 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |