Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati made "Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): III. Courante" available on April 1, 2016. The duration of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): III. Courante is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): III. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 15 in Bach & Handel: Transcriptions for Piano by Roberto Cominati. In terms of popularity, Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): III. Courante is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): III. Courante by Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Goldberg Variations, BWV 988: Var. 7 | Johann Sebastian Bach, Glenn Gould | G Major | 6 | 9B | 85 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 100 BPM |