Carl Binder, Angèle Dubeau made "Overture to "Orpheus in the Underworld": Allegro con fuoco" available on October 21, 2003. The duration of Overture to "Orpheus in the Underworld": Allegro con fuoco is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Overture to "Orpheus in the Underworld": Allegro con fuoco's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Angèle Dubeau, La Pietà's "Infernal Violins" album is number 3 out of 16. On top of that, United States appears to be the country where this track was created. Overture to "Orpheus in the Underworld": Allegro con fuoco is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Overture to "Orpheus in the Underworld": Allegro con fuoco by Carl Binder, Angèle Dubeau to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque, Op. 101 | Antonín Dvořák, Vaclv Smetacek, Symphony Orchestra Prague | G Minor | 1 | 6A | 171 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 1 | 9B | 135 BPM | ||
Flight of The Bumble Bee | Nikolai Rimsky-Korsakov, Hanspeter Gmür, Camerata Rhenania, Various Artists | A Minor | 1 | 8A | 76 BPM | ||
Recuerdos De La Alhambra | Johan Vandecaveye | A Major | 2 | 11B | 80 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Also Sprach Zarathustra, Op. 30: (Sehr Breit) | Richard Strauss, Herbert Blomstedt, Staatskapelle Dresden | C Major | 2 | 8B | 145 BPM | ||
Grieg: Wedding Day at Troldhaugen | Johan Åhlén | D Major | 0 | 10B | 129 BPM | ||
Sheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow | F♯ Major | 3 | 2B | 133 BPM |