"Vergine bella, Orazio Bassani" by Cipriano de Rore, Il Desiderio, Sarah van Corneval, Ursula Thelen, Ildiko Kertész, Marcello Gatti, André Henrich, Thomas Kügler, Marie Bournisien, Frauke Hess was released on April 30, 2008. Since Vergine bella, Orazio Bassani is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vergine bella by Il Desiderio. The song's track number on the album is #20 out of 21 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Vergine bella, Orazio Bassani is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vergine bella, Orazio Bassani by Cipriano de Rore, Il Desiderio, Sarah van Corneval, Ursula Thelen, Ildiko Kertész, Marcello Gatti, André Henrich, Thomas Kügler, Marie Bournisien, Frauke Hess has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Vergine bella, Orazio Bassani being at 111 テンポ, the half-time would be 56 テンポ with a double-time of 222 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
M. Thomas Collier his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Minor | 1 | 6A | 101 BPM | ||
O dolorosa gioia | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A♭ Major | 1 | 4B | 79 BPM | ||
Io canterei d'amor sì novamente - harpsichord | Cipriano de Rore, Elam Rotem | A♭ Minor | 1 | 1A | 74 BPM | ||
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Tandernaken, à 3 | Alexander Agricola, Fretwork | G Major | 1 | 9B | 147 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM |