"Gloria, laus et honor tibi sit" by Francesco Soriano, Sistine Chapel Choir, Massimo Palombella was released on March 1, 2019. With Gloria, laus et honor tibi sit being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "O Crux Benedicta. Lent and Holy Week at the Sistine Chapel". In this album, this song's track order is #5. Gloria, laus et honor tibi sit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gloria, laus et honor tibi sit by Francesco Soriano, Sistine Chapel Choir, Massimo Palombella having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
Fervent Supplication | The Russian State Symphony Cappella | C Major | 2 | 8B | 134 BPM | ||
In illo tempore | Francesco Soriano, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 99 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
La jeune fille (after Chopin's Mazurka No. 15 in C Major, Op. 24, No. 2) | Pauline Viardot, Francesco Soriano, Malgorzata Kubala | C Major | 1 | 8B | 99 BPM | ||
Les 50 kyrie eleison de la Litie, chant grec | Unknown, Choeur Du Monastère SainteÉlisabeth De Minsk | A Minor | 2 | 8A | 70 BPM |