Sergei Rachmaninoff, Howard Shelley's 'Song Without Words in D Minor, TN ii:11' came out on March 1, 1993. With Song Without Words in D Minor, TN ii:11 being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 143 in the song's album "Rachmaninoff: Complete Solo Piano Music". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Song Without Words in D Minor, TN ii:11 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Song Without Words in D Minor, TN ii:11 by Sergei Rachmaninoff, Howard Shelley having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 46, Le premier billet doux | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Piano Concerto, No. 23 in A Major, K. 488: III. Allegro assai | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | A Major | 2 | 11B | 132 BPM | ||
Pictures at an Exhibition: Limoges marché | Modest Mussorgsky, Evgeny Kissin | B Minor | 2 | 10A | 183 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Quintet in E-Flat Major, K. 452: II. Larghetto | Wolfgang Amadeus Mozart, Stephen Hough, Berlin Philharmonic Wind Quintet | B♭ Major | 0 | 6B | 63 BPM | ||
5 Pieces, Op. 85, "The Flowers": No. 4 Aquileja (Aquilegia) | Jean Sibelius, Håvard Gimse | A♭ Major | 1 | 4B | 104 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |