Tsvetan Mihailov, Teodor Moussev, Stela Dimitrova, Bogdana Popova, Stefka Mineva, Choeur mixte de la radio-télévision bulgare, Tiha Geniva, Orlin Pavlov's 'Cum Sancto Spiritu' had a release date set for December 7, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tsvetan Mihailov's "Gioacchino Rossini : Petite messe solennelle" album is number 7 out of 14. On top of that, France appears to be the country where this track was created. Cum Sancto Spiritu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cum Sancto Spiritu by Tsvetan Mihailov, Teodor Moussev, Stela Dimitrova, Bogdana Popova, Stefka Mineva, Choeur mixte de la radio-télévision bulgare, Tiha Geniva, Orlin Pavlov to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei | Tsvetan Mihailov, Choeur mixte de la radio-télévision bulgare, Stela Dimitrova, Teodor Moussev, Orlin Pavlov, Stefka Mineva, Tiha Geniva, Bogdana Popova | C Major | 1 | 8B | 90 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Prologue - Picture 2: Long live Tsar Boris Feodorovich | Modest Mussorgsky, Konstantin Pluzhnikov, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | G Major | 4 | 9B | 105 BPM | ||
Paulus: I. Teil: Nr. 20 Rezitativ ST "Und Ananias ging hin" | Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener | D♭ Minor | 4 | 12A | 146 BPM | ||
Requiem: XII. Hostias | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, Christine Brewer, John Relyea | F Major | 0 | 7B | 85 BPM | ||
Puccini : Messa di Gloria : I Kyrie | Giacomo Puccini, Claudio Scimone, Philharmonia Orchestra | A♭ Major | 1 | 4B | 123 BPM | ||
O Del Mio Dolce Ardor | Charlotte de Rothschild & David Watkins | E♭ Major | 1 | 5B | 125 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Dies Irae | Wolfgang Amadeus Mozart, Radio Symphony Orchestra Ljubljana, Vladislav Tscherneshenko | C Major | 3 | 8B | 128 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM |