Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown made "Concerto for Treble Recorder, Strings and Continuo in C major, TWV 51:c1: 2. Allegro" available on November 1, 1980. The duration of Concerto for Treble Recorder, Strings and Continuo in C major, TWV 51:c1: 2. Allegro is about 3 minutes long, at 3:15. Based on our data, "Concerto for Treble Recorder, Strings and Continuo in C major, TWV 51:c1: 2. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Recorder Concertos By Vivaldi, Sammartini, Telemann & Handel". In this album, this song's track order is #8. Based on our statistics, Concerto for Treble Recorder, Strings and Continuo in C major, TWV 51:c1: 2. Allegro's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Concerto for Treble Recorder, Strings and Continuo in C major, TWV 51:c1: 2. Allegro by Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Horn Concerto No. 1 in D Major, Hob. VIId:3: II. Adagio | Franz Joseph Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | A Major | 0 | 11B | 119 BPM | ||
Bassoon Concerto in C Major, RV 477: III. Allegro | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | G Major | 2 | 9B | 123 BPM | ||
Quintet No.1 for Guitar and Strings in D minor G.445: 2. Cantabile | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Ouverture "La Bizarre", en Sol Majeur: Ouverture "La Bizarre", en Sol Majeur: VI. Fantaisie | Georg Philipp Telemann, Akademie für Alte Musik Berlin | F♯ Major | 3 | 2B | 128 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: I. Vivace | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Allison Nyquist, Stephanie Vial, Indianapolis Baroque Orchestra | D♭ Major | 1 | 3B | 93 BPM | ||
Flute Sonata in D major, HWV 378: 3. Adagio | George Frideric Handel, Academy of St. Martin in the Fields, William Bennett, Nicholas Kraemer, Denis Vigay | C Major | 1 | 8B | 138 BPM |