Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Allison Nyquist, Stephanie Vial, Indianapolis Baroque Orchestra made "Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: I. Vivace" available on July 24, 2020. Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: I. Vivace is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 21 in the song's album "The Colorful Telemann". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: I. Vivace is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: I. Vivace by Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Allison Nyquist, Stephanie Vial, Indianapolis Baroque Orchestra having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 146 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande | Marin Marais, Ensemble Amalia | B Major | 1 | 1B | 169 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio | Jean-François Dandrieu, Le Consort, Justin Taylor | D♭ Minor | 5 | 12A | 95 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM |