Luigi Denza, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath, Studio Orchestra made "Funiculi, funicula" available on September 1, 2007. The duration of Funiculi, funicula is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Funiculi, funicula's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John McCormack, Walter B. Rogers's "Mccormack, John: Mccormack Edition, Vol. 5: The Acoustic Recordings (1914-1915)" album is number 16 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Funiculi, funicula's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Funiculi, funicula by Luigi Denza, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath, Studio Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM | ||
The Typewriter | Leroy Anderson, Werner Brock, Cologne West German Radio Orchestra, Pinchas Steinberg | D Major | 1 | 10B | 117 BPM | ||
Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Giulia! (arr. for mezzo-soprano and tenor) | Luigi Denza, Anna Galterio, Leonardo de Lisi, Pierluigi Ruggiero, Guido Galterio | D Minor | 3 | 7A | 67 BPM |