Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli's 'Tannhäuser, dritter Akt: Dahin zog's mich' came out on January 1, 1961. The duration of Tannhäuser, dritter Akt: Dahin zog's mich is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Tannhäuser, dritter Akt: Dahin zog's mich's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Richard Wagner: Tannhäuser". In this album, this song's track order is #31. Based on our statistics, Tannhäuser, dritter Akt: Dahin zog's mich's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tannhäuser, dritter Akt: Dahin zog's mich by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 90 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Bleib stehn, bleib stehn!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 79 BPM | ||
Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
Wagner: Die Meistersinger von Nürnberg, Act 3: "Wach auf, es nahet gen den Tag" (Chorus) | Richard Wagner, Daniel Barenboim, Bayreuth Festival Chorus, Bayreuth Festival Orchestra | G Major | 4 | 9B | 79 BPM | ||
Aida: Act II: Vieni, o guerriero vindice | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | E♭ Major | 3 | 5B | 88 BPM | ||
Puccini: Turandot, Act 3: "Così comanda Turandot" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 80 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian) | Ludwig van Beethoven, Olga Kulchynska, Nicole Chirka, Dmytro Popov, Vladyslav Buialskyi, Podlasie Opera and Philharmonic Choir, Ukrainian Freedom Orchestra, Keri-Lynn Wilson | D Major | 2 | 10B | 137 BPM | ||
La Traviata, Act I: Si ridestra in ciel l'aurora | Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A♭ Major | 4 | 4B | 176 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Requiem in E-Flat Minor: VII. Domine Jesu Christe | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov, Christoph Seidl | E♭ Major | 0 | 5B | 167 BPM |