Georges Bizet, Seiji Ozawa, Orchestre National De France made "Bizet / Arr. Guiraud: Carmen Suite No. 1: VI. Les toréadors" available on January 1, 1984. The duration of Bizet / Arr. Guiraud: Carmen Suite No. 1: VI. Les toréadors is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Bizet / Arr. Guiraud: Carmen Suite No. 1: VI. Les toréadors's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Bizet: Suites from Carmen & L'Arlésienne by Georges Bizet, Seiji Ozawa, Orchestre National De France. Based on our statistics, Bizet / Arr. Guiraud: Carmen Suite No. 1: VI. Les toréadors's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bizet / Arr. Guiraud: Carmen Suite No. 1: VI. Les toréadors by Georges Bizet, Seiji Ozawa, Orchestre National De France is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Te Deum: Tu rex gloriae, Christe | Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 1 | 7B | 81 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Carmen, Act III, No.23 Duo (continued..): Elle avait pour amant (Escamillo/Don José) | Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 104 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM |