Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live

Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus
Mozart: Great Mass in C minor K.427
7:49 1991年1月1日
テンポ
83
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live - Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus 情報

音響性
98%
ダンサビリティ
10%
エネルギー
12%
手段性
6%
活気
10%
ラウドネス
66%
話し言葉
4%
価数
4%
人気
ラウドネス
-20.626 dB

まとめ

"Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live" by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus was released on January 1, 1991. Since Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Friedemann Winklhofer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Seeliger, Leonard Bernstein's "Mozart: Great Mass in C minor K.427" album is number 3 out of 15. Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live テンポ

We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live キー

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Symphony No. 2 in C Minor Symphony No. 2 in C Minor "Resurrection": II. Andante moderatoGustav Mahler, Leonard Bernstein, New York PhilharmonicA♭ Major04B72 BPM
"Pomp and Circumstance," Op.39: March, No.1 in DEdward Elgar, BBC Symphony Orchestra, Leonard BernsteinD Major310B72 BPM
Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi by Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger SpeckOratorio de Noël, Op. 12: No. 4 Domine, ego credidiCamille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger SpeckA Minor08A172 BPM
Requiem In D Minor, K. 626: Sanctus by Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: SanctusSlovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus MozartD Major310B82 BPM
Ein deutsches Requiem, Op.45: 4. Chor: Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener SingvereinE♭ Major15B130 BPM
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth by Henry Purcell, Leontyne Price, Francesco Molinari-PradelliDido and Aeneas, Z. 626: Act III: When I am Laid in EarthHenry Purcell, Leontyne Price, Francesco Molinari-PradelliG Minor16A86 BPM
Ave Maria (Arr. for Alto and Harp by Roman Bär) by Charles Gounod, Johann Sebastian Bach, Anke VondungAve Maria (Arr. for Alto and Harp by Roman Bär)Charles Gounod, Johann Sebastian Bach, Anke VondungA♭ Major04B67 BPM
Missa solemnis in C Major, K. 337: VI. Agnus Dei by Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Marietta Fischesser, Kurpfälzisches Kammerochester Mannheim, Nicol Matt, Jens WollenschlägerMissa solemnis in C Major, K. 337: VI. Agnus DeiWolfgang Amadeus Mozart, Chamber Choir Of Europe, Marietta Fischesser, Kurpfälzisches Kammerochester Mannheim, Nicol Matt, Jens WollenschlägerE♭ Major25B63 BPM
Handel - Messiah, K. 572 (Sung in German): Ehre sei Gott in der Hohe! (Chorus) by Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingHandel - Messiah, K. 572 (Sung in German): Ehre sei Gott in der Hohe! (Chorus)Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingD Major110B119 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 1: Scene (Allegro moderato) by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraTchaikovsky: Swan Lake, Op. 20, Act 1: Scene (Allegro moderato)Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraD Major110B65 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records