"Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live" by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus was released on January 1, 1991. Since Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Friedemann Winklhofer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Seeliger, Leonard Bernstein's "Mozart: Great Mass in C minor K.427" album is number 3 out of 15. Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Sylvia McNair, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 2 | 6B | 92 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 68 BPM | ||
Friday Afternoons, Op. 7: Cuckoo! | Benjamin Britten, Alexander Wells, New London Children's Choir, Ronald Corp | D♭ Major | 0 | 3B | 87 BPM | ||
Davide penitente, K. 469: Alzai le flebili voci al Signor (Chorus, Soprano 1) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | A Minor | 1 | 8A | 169 BPM | ||
Music for The Royal Fireworks, HWV351: La Réjouissance | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D Major | 2 | 10B | 81 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 78 BPM | ||
Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Domine Jesu (Offertorium) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | B♭ Major | 3 | 6B | 86 BPM | ||
Mass in C Major, K. 317 "Coronation": V. Benedictus | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 94 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 1: Scene (Allegro moderato) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 65 BPM |