"Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live" by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus was released on January 1, 1991. Since Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Friedemann Winklhofer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Seeliger, Leonard Bernstein's "Mozart: Great Mass in C minor K.427" album is number 3 out of 15. Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": II. Andante moderato | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Ave Maria (Arr. for Alto and Harp by Roman Bär) | Charles Gounod, Johann Sebastian Bach, Anke Vondung | A♭ Major | 0 | 4B | 67 BPM | ||
Missa solemnis in C Major, K. 337: VI. Agnus Dei | Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Marietta Fischesser, Kurpfälzisches Kammerochester Mannheim, Nicol Matt, Jens Wollenschläger | E♭ Major | 2 | 5B | 63 BPM | ||
Handel - Messiah, K. 572 (Sung in German): Ehre sei Gott in der Hohe! (Chorus) | Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 1 | 10B | 119 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 1: Scene (Allegro moderato) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 65 BPM |