Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano's 'Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version' came out on 1958. The duration of Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 13 out of 26. Based on our statistics, Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version by Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
La Bohème / Act 1: O soave fanciulla, o dolce viso | Giacomo Puccini, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre Régional Avignon Provence | G Major | 1 | 9B | 91 BPM | ||
Rigoletto, Act III: Duca! Duca! | Giuseppe Verdi, Matteo Guagni, Virginio Carbonari, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 119 BPM | ||
Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | ||
William Tell / Act 4: "Tutto cangia, il ciel s'abbella" | Gioachino Rossini, Giorgio Zancanaro, Chris Merritt, Cheryl Studer, Giorgio Surjan, Amelia Felle, Luciana D'Intino, Luigi Roni, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | A♭ Major | 2 | 4B | 111 BPM | ||
Puccini: Madama Butterfly, Act 1: "Ieri son salita tutta sola" (Butterfly, Goro, Comissario, Sharpless, Official Registrar, Chorus) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Enrico Campi, Herbert von Karajan, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 97 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie sorridente" | Francesco Cilea, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | A♭ Major | 2 | 4B | 85 BPM | ||
Carmen, Act III, No.24 Finale: Holà! holà! José (Carmen/Escamillo/Don José/Le Dancaïro) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 4 | 7A | 165 BPM | ||
Rossini: Il turco in Italia, Act 1: "Evviva d'amore il foco vitale" (Coro) | Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 122 BPM |