"8 Chinese Folk Songs: No. 1. Lan Hua Hua" by Zhou Long, Shanghai Quartet was released on January 1, 1998. The duration of 8 Chinese Folk Songs: No. 1. Lan Hua Hua is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 8 Chinese Folk Songs: No. 1. Lan Hua Hua's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zhou, L.: 8 Chinese Folk Songs / Poems From Tang / Soul (The Flowing Stream - Chinese Folk Songs and Tone Poems) by Zhou Long, Shanghai Quartet. The song's track number on the album is #1 out of 13 tracks. In terms of popularity, 8 Chinese Folk Songs: No. 1. Lan Hua Hua is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 8 Chinese Folk Songs: No. 1. Lan Hua Hua by Zhou Long, Shanghai Quartet has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 8 Chinese Folk Songs: No. 1. Lan Hua Hua being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) | Charles Koechlin, Toon Fret, Veronika Iltchenko | A Minor | 0 | 8A | 74 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Stoop to Dunk | Laz Ukpo | F♯ Major | 0 | 2B | 168 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Cecilia: Molto vivo e con fuoco | Licinio Refice, Federico Romano, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 2 | 5A | 74 BPM | ||
Symphony "Humen 1839": III. Adagio tragico | Yi Chen, Zhou Long, New Zealand Symphony Orchestra, Darrell Ang | E Minor | 1 | 9A | 67 BPM | ||
String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | ||
African Fighting Montage With Brief Ninja Appearance | Bret Williams | E Minor | 2 | 9A | 93 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM |