Francisco Coll, Jacob Kellermann, Norrbotten NEO made "Turia: V. Dotted Quarter Note = 60" available on December 4, 2020. The duration of Turia: V. Dotted Quarter Note = 60 is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Turia: V. Dotted Quarter Note = 60's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rodrigo, Coll & Harden: Guitar Works". In this album, this song's track order is #8. Turia: V. Dotted Quarter Note = 60 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Turia: V. Dotted Quarter Note = 60 by Francisco Coll, Jacob Kellermann, Norrbotten NEO having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Lux Aeterna: IV. Allegro Presto Andantino | Rihards Dubra, Saxtett | C Major | 1 | 8B | 133 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): I. Verano Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Dialog ohne Worte | Francisco Coll, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM | ||
String Quartet No. 1: I. Presto con fuoco | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Fugata (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 4. Andante con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM |