"Joueurs de flute, Op. 27: I. Pan" by Albert Roussel, Michel Debost, Christian Ivaldi was released on August 1, 2013. The duration of Joueurs de flute, Op. 27: I. Pan is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Joueurs de flute, Op. 27: I. Pan's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 27 in Flûte Panorama by Michel Debost. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Joueurs de flute, Op. 27: I. Pan is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Joueurs de flute, Op. 27: I. Pan by Albert Roussel, Michel Debost, Christian Ivaldi is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | ||
The Sleeping Beauty Suite, Op. 66a, TH 234: III. Pas de caractere (Puss-in-Boots and the White Cat) | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Sir Charles Mackerras | B Major | 3 | 1B | 76 BPM | ||
Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: VI. Poco andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM |