"Preludes, Book 1: No. 8. La fille aux cheveux de lin (The Girl with the Flaxen Hair) (arr. for clarinet and orchestra)" by Anonymous , Claude Debussy, Richard Stoltzman, Slovak Radio Symphony Orchestra, Kirk Trevor was released on February 1, 2011. The duration of Preludes, Book 1: No. 8. La fille aux cheveux de lin (The Girl with the Flaxen Hair) (arr. for clarinet and orchestra) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Preludes, Book 1: No. 8. La fille aux cheveux de lin (The Girl with the Flaxen Hair) (arr. for clarinet and orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Fine Music, Vol. 1 by Various Artists, Kirk Trevor, Carl St. Clair, Vit Micka, Donald Nally, Petr Vronsky, Raphael Jimenez, Marek Vorlicek. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Preludes, Book 1: No. 8. La fille aux cheveux de lin (The Girl with the Flaxen Hair) (arr. for clarinet and orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preludes, Book 1: No. 8. La fille aux cheveux de lin (The Girl with the Flaxen Hair) (arr. for clarinet and orchestra) by Anonymous , Claude Debussy, Richard Stoltzman, Slovak Radio Symphony Orchestra, Kirk Trevor is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The King's Speech | Alexandre Desplat, Traffic Quintet, Alain Planes | D Minor | 2 | 7A | 118 BPM | ||
Arabesque - Debussy | Michael Charles Clark | E Major | 1 | 12B | 63 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Marcha Granadera (Spain) | Anonymous, Ossi Runne, Tapiola Choir, Karelia Brass, Kari Ala-Pöllanen | B♭ Major | 0 | 6B | 0 BPM | ||
Nocturne No. 2 in E Flat, Op. 9 | Frédéric Chopin, Peter Schmalfuss | B♭ Major | 0 | 6B | 101 BPM | ||
Company: II. — | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Claudio Arrau | F Minor | 0 | 4A | 58 BPM | ||
Improvisations on Two Norwegian Folksongs, Op. 29 | Edvard Grieg, Isabel Mourao | A Minor | 0 | 8A | 69 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM |