Wolfgang Amadeus Mozart, Music Lab Collective's 'Eine kleine Nachtmusik, K.525: II. Romance: Andante (arr. piano)' came out on April 6, 2018. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Eine kleine Nachtmusik, K.525: II. Romance: Andante (arr. piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Eine kleine Nachtmusik, K.525: II. Romance: Andante (arr. piano) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Eine kleine Nachtmusik, K.525: II. Romance: Andante (arr. piano) by Wolfgang Amadeus Mozart, Music Lab Collective is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Bach Prelude in C | Edwards Stephen | C Major | 1 | 8B | 142 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Horn Concerto No.3 in E flat, K.447: 2. Romanze (Larghetto) | Wolfgang Amadeus Mozart, Peter Damm, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 68 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) | Jules Massenet, Mischa Maisky, Lily Maisky | D Major | 1 | 10B | 70 BPM | ||
The Lord Bless You & Keep You | John Rutter, Music Lab Collective | F Major | 1 | 7B | 72 BPM |