"Madama Butterfly: Act I: Amore o grillo dir non saprei" by Giacomo Puccini, Antonio Scotti, Enrico Caruso was released on 1990. The duration of Madama Butterfly: Act I: Amore o grillo dir non saprei is about 3 minutes long, at 3:26. Based on our data, "Madama Butterfly: Act I: Amore o grillo dir non saprei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Madama Butterfly: Act I: Amore o grillo dir non saprei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madama Butterfly: Act I: Amore o grillo dir non saprei by Giacomo Puccini, Antonio Scotti, Enrico Caruso is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 1 | 5B | 85 BPM | ||
O mio babbino caro | Giovacchino Forzano, Giacomo Puccini, Maria Hanke, Tonya Lemoh | A♭ Major | 1 | 4B | 70 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM |