"Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro"" by Giacomo Puccini, Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis was released on December 1, 1976. With Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Puccini: Tosca". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" by Giacomo Puccini, Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rossini: Messa di Gloria: IX. Qui sedes ad dexteram Patris | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | F Major | 3 | 7B | 140 BPM | ||
Andrea Chénier / Act 4: Il vostro giuramento vi sovvengo! ... Benedico il | Umberto Giordano, Montserrat Caballé, Giuseppe Morresi, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | A Major | 0 | 11B | 82 BPM | ||
Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM | ||
Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
La fille du régiment / Act 2: Le jour naissait dans le bocage... | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Monica Sinclair, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM |